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The song reached the top three in several other countries. Ready for It? The satirical music video explores Swift's life as her theoretical male counterpart, an alter-ego named "Tyler Swift".It was released through Republic Records on April 26,at the end of a thirteen-day countdown, as the lead single from her seventh studio albumLover It is Swift's first single after signing with Republic Records.ĭebuting at the hundredth spot, the song peaked at number two on the Billboard Hotbreaking the record for the biggest single-week jump in the chart's history. Swift's transformation involved a "muscle suit", prosthetic makeupeyebrow wigs, and facial sculptures, which took between four and six hours to apply each day. I wanted to show how there's immediate approval and benefit of the doubt given, in a ridiculous way. With the "The Man" music video, I wanted to show a hightened reaction of how the world reacts to someone who's male, hot, rich, young and cocky. She also confirmed that there would be many of her trademark " easter eggs " in the video. She stated that the entire preparation for the music video-including planning meetings, creating mood boards, scouting locations, and costume and set design-took several months. On February 25,Swift announced via her social media accounts that the music video will be released in two days' time. They further stated that the song is an addition to the "legendary canon of crafty takes on sexism" in music.
Writing for Elite DailySade Spence and Kristen Perrone stated that the lyrics of the song are "super bold and carry a powerful message about women". He further described the song as a "synth-strut mode very reminiscent of Haim " that "takes aim at sexist music industry and media double standards and just keeps firing bull's-eyes". She also stated that the song is "a brilliant portrayal of the subtle and not-so-subtle sexism women face every day".
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How to fix camera bug in custom romīrittany Hodak of Forbespraised the song as "the most important song she's ever written". The Atlantic ' s Spencer Kornhaber described "The Man" as "one of the most straightforwardly catchy songs" on Loverand further called it Swift's "most explicit musical statement on sexism". According to Billboard 's Gil Kaufman, "The Man" is a pointed statement about "how much harder women need to work than men to get to the same finish line". There is a bit of a damned-if-we-do, damned-if-we-don't thing happening in music. Because if we make a mistake, that's our fault, but if we strategize so that we won't make a mistake, we're calculating. We have to curate and cater everything, but we have to make it look like an accident. Swift challenges societal sexist double standardswith lyrics including a noteworthy reference to American actor Leonardo DiCaprio. Swift imagines the media's treatment of her if she were a man, over a uptempo production. The recording process for Taylor Swift 's seventh studio album Lover took under three months, and concluded in February He co-wrote and co-produced four of the eighteen tracks for the album. The satirical video sees Swift in her theoretical male alter-ego named "Tyler Swift", presenting several prevalent examples of sexist double standards in society, including objectificationsexualization of womentoxic masculinity and patriarchy. An official music video for "The Man" was released on February 27, and was directed by Swift herself, marking her solo directorial debut. On February 18,a live acoustic version of the song, titled "The Man Live from Paris ", was released on all music platforms, accompanied by its live video. It also debuted at number 4 on the Rolling Stone Top On February 7,an animated lyric video of the song was released on YouTube. The song received acclaim from critics, who praised its feminist message. Over an uptempo production, Swift imagines the media's treatment of her if she were a man. It is a synth-pop song which features flashy harmonies, murky synths and rumbling beats. The song was serviced to US adult contemporary and pop radio formats on January 27 and 28, as the fourth single from Swift's seventh studio album, Lover Swift wrote and produced the song with Joel Little.
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